Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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Peter Paul Rubens Scylla et Glaucus oil painting


Scylla et Glaucus
Date ca. 1636(1636) Medium Oil on wood Dimensions 26.5 x 32.7 cm (10.4 x 12.9 in) cjr
Painting ID::  84383
Peter Paul Rubens
Scylla et Glaucus
Date ca. 1636(1636) Medium Oil on wood Dimensions 26.5 x 32.7 cm (10.4 x 12.9 in) cjr
   
   
     

Peter Paul Rubens La decouverte de la pourpre oil painting


La decouverte de la pourpre
Date ca. 1636(1636) Medium Oil on wood Dimensions 28 x 34 cm (11 x 13.4 in) cjr
Painting ID::  84451
Peter Paul Rubens
La decouverte de la pourpre
Date ca. 1636(1636) Medium Oil on wood Dimensions 28 x 34 cm (11 x 13.4 in) cjr
   
   
     

Peter Paul Rubens Der heilige Sebastian oil painting


Der heilige Sebastian
Date ca. 1618(1618) Medium Oil on canvas Dimensions Height: 200 cm (78.7 in). Width: 128 cm (50.4 in). cjr
Painting ID::  84855
Peter Paul Rubens
Der heilige Sebastian
Date ca. 1618(1618) Medium Oil on canvas Dimensions Height: 200 cm (78.7 in). Width: 128 cm (50.4 in). cjr
   
   
     

Peter Paul Rubens Landscape with Rainbow oil painting


Landscape with Rainbow
Oil on canvas, 86x129 cm Date 1632-1635 cjr
Painting ID::  84998
Peter Paul Rubens
Landscape with Rainbow
Oil on canvas, 86x129 cm Date 1632-1635 cjr
   
   
     

Peter Paul Rubens The Rape of Ganymede oil painting


The Rape of Ganymede
Date 1611(1611) Medium Oil on canvas cjr
Painting ID::  85255
Peter Paul Rubens
The Rape of Ganymede
Date 1611(1611) Medium Oil on canvas cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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